THE 2023 – 2024 MET OPERA LIVE IN HD SEASON

October 21, 2023 at 1pm

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DEAD MAN WALKING (Jake Heggie)
New Production
Runtime: 175 minutes

American composer Jake Heggie’s masterpiece, the most widely performed new opera of the last 20 years, has its highly anticipated Met premiere, in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium for this landmark premiere, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

Content Advisory: Dead Man Walking contains a depiction of a rape and murder, as well as other adult themes and strong language.

November 18, 2023 at 1pm

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X: THE LIFE AND TIMES OF MALCOM X (Verdi)
Runtime: 200 minutes

Anthony Davis’s groundbreaking and influential opera, which premiered in 1986, arrives at the Met at long last. Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an Everyman whose story transcends time and space. An exceptional cast of breakout artists and young Met stars enliven the operatic retelling of the civil rights leader’s life. Baritone Will Liverman, who triumphed in the Met premiere of Fire Shut Up in My Bones, sings Malcolm X, alongside soprano Leah Hawkins as his mother, Louise; mezzo-soprano Raehann Bryce-Davis as his sister Ella; bass-baritone Michael Sumuel as his brother Reginald; and tenor Victor Ryan Robertson as Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

December 9, 2023 at 1pm

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FLORENCIA EN EL AMAZONAS (Daniel Catan)
Runtime: 135 minutes

Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle. The Met premiere stars soprano Ailyn Pérez as Florencia Grimaldi, with Yannick Nézet-Séguin on the podium to lead a spellbinding new production by Mary Zimmerman that brings the mysterious and magical realm of the Amazon to the Met stage. A distinguished ensemble of artists portray the diva’s fellow travelers on the river boat to Manaus, including soprano Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Alvaro.

January 6, 2024 at 1pm

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NABUCCO (Verdi)
Runtime: 175 minutes

Ancient Babylon comes to life in a classic Met staging of biblical proportions. Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele, whose love transcends politics, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s exhilarating early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.”

January 27, 2024 at 1pm

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CARMEN (Georges Bizet)
Runtime: 205 minutes

The Met begins the New Year with a vital new production of one of opera’s most enduringly powerful works. Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries. Dazzling young mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the complex and volatile title role, alongside tenor Piotr Beczała as Carmen’s troubled lover Don José, soprano Angel Blue as the loyal Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score. Later in the season, another cast of world-class singers takes over, with mezzo-soprano Clémentine Margaine reprising her captivating portrayal of the title role, tenor Michael Fabiano as Don José, soprano Ailyn Pérez as Micaëla, bass-baritone Ryan Speedo Green as Escamillo, and Diego Matheuz making his company debut on the podium.
March 9, 2024 at 12pm
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LA FORZA DEL DESTINO (Giuseppe Verdi)
Runtime: 262 minutes

Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendetta, and family strife, with stellar soprano Lise Davidsen following a string of recent Met triumphs with her role debut as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved Don Alvaro, baritone Igor Golovatenko as her vengeful brother Don Carlo, mezzo-soprano Judit Kutasi as the fortune teller Preziosilla, bass-baritone Patrick Carfizzi as Fra Melitone, and bass Soloman Howard as both Leonora’s father and Padre Guardiano. For the final three performances, soprano Elena Stikhina and mezzo-soprano Maria Barakova take over as Leonora and Preziosilla.
March 23, 2024 at 1pm
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ROMEO ET JULIETTE (Gounod)
Runtime: 210 minutes

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s towering staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
April 20, 2024 at 1pm
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LA RONDINE (Puccini)
Runtime: 167 minutes

Puccini’s bittersweet love story makes a rare Met appearance, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman in his highly anticipated company debut as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. In their Met debuts, soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.

May 11, 2024 at 1pm

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MADAMA BUTTERLY (Puccini)
Runtime: 180 minutes

Three extraordinary sopranos—Aleksandra Kurzak, Eleonora Buratto, and Asmik Grigorian (in her highly anticipated Met debut)—tackle the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenors Matthew Polenzani and Jonathan Tetelman co-star as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-sopranos Elizabeth DeShong and Eve Gigliotti share the role of the steadfast maid Suzuki, and baritone Davide Luciano and Lucas Meachem are the American consul Sharpless. Acclaimed maestro Xian Zhang makes her Met debut conducting Anthony Minghella’s vivid production.